Call for Papers: Performance, New Media, and Surveillance

Duas dicas dadas em Curitiba por David Murakami Wood.
Uma para participar de um Seminário de Estudos da Vigilância no Canadá.
A outra é o call for papers da revista Surveillance and Society, reproduzido abaixo.
As duas estão tirando o meu sono.

Special Issue of Surveillance & Society, guest edited by John E. McGrath and Robert W. Sweeny.

The relationship between the visual arts and surveillance has been explored through large scale exhibitions (CTRL:Space, ZKM), and texts such as Loving Big Brother (McGrath, 2004) have introduced questions of performance and performativity into the surveillance debate. However, as the technological possibilities available to artists grow, and the social impact of surveillance is increasingly recognized, there is a need for a thorough examination of the uses of surveillance in the visual arts, particularly in the genres of new media and performance art, where issues regarding technological engagement and embodiment come to the fore. The editors of this special volume of Surveillance and Society are seeking papers that examine the complexities of surveillance in new media and performance art. We intent to acknowledge various issues including but not limited to:

• (Re)Examination of New Media and Performance Art through surveillance themes and theories.
• Modes of spectatorship and participation in New Media and Performance Art that are complicated through surveillance technologies.
• Examples from technological and live artistic practices that present novel forms of interaction and engagement
• Analysis of the gaze in its various forms (male, actuarial, scopic) as related to New Media and/or Performance Art.
• Discussions regarding visualities produced in the spaces of surveillance, including the visual culture of technologies that measure gait, map surveilled populations, and monitor public spaces.
• Examinations and articulations of surveillance space (including data space) through artistic practice
• Explorations of the performative nature or surveillance society and space
• Political, resistant and utopian currents in surveillance art practice

We are also open to related subjects not outlined above. Projects by artists working in new media would be of particular interest, particularly those that make use of the digital nature of Surveillance & Society. These might include media and methods such as hypertext, digital video, animation, videogames, and social/tactical/locative media.

Please contact the guest-editors in advance to discuss proposed topics. All papers must be completed and submitted electronically no later than March 31st, 2009. Please use standard formatting and submit the papers via the new automated system - see the instruction for authors - unless the submission is a multi-media piece, in which case contact the guest editors:

John E. McGrath or Robert W. Sweeny